Guidewire Software Inc GWRE under CEO Michael Rosenbaum

Guidewire Software Inc GWRE under CEO Michael Rosenbaum

 

HEXAGRAM 21 – Shih Ho – Biting Through

Above    LI    THE CLINGING, FIRE

Below    CHEN    THE AROIUSING, THUNDER

This hexagram represents an open mouth (cf. hexagram 27)

with an obstruction (in the fourth place) between the teeth.

As a result the lips cannot meet.

To bring them together one must bite energetically through the obstacle.

Since the hexagram is made up of the trigrams for thunder and for lightning,

it indicates how obstacles are forcibly removed in nature.

• Energetic biting through overcomes the obstacle that prevents joining of the lips;
  
• the storm with its thunder and lightning overcomes the disturbing tension in nature.
  
• Recourse to law and penalties overcomes the disturbances of harmonious social life
  

  caused by
  

  • criminals and
    
  • slanderers.
    

The theme of this hexagram is a criminal lawsuit,

in contradistinction to that of Sung, CONFLICT (6), which refers to civil suits.

 

THE JUDGMENT

BITING THROUGH has success.

It is favorable to let justice be administered.

When an obstacle to union arises,

energetic biting through brings success.

This is true in all situations.

Whenever unity cannot be established,

the obstruction is due to a talebearer and traitor who is interfering and blocking the way.

To prevent permanent injury,

vigorous measures must be taken at once.

Deliberate obstruction of this sort does not vanish of its own accord.

Judgment and punishment are required to deter or obviate it.

However,

it is important to proceed in the right way.

The hexagram combines

• Li, clarity, and
  
• Chen, excitement.
  

• Li is yielding,
  
• Chen is hard.
  

Unqualified hardness and excitement

would be too violent in meting out punishment;

unqualified clarity and gentleness

would be too weak.

The two together create the just measure.

It is of moment that

• the man who makes the decisions (represented by the fifth line) is gentle by nature,
  

while

• he commands respect by his conduct in his position.
  

 

THE IMAGE

Thunder and lightning: The image Of BITING THROUGH.

Thus

the kings of former times

made firm the laws

Through clearly defined penalties.

Penalties are the individual applications of the law.

The laws specify the penalties.

• Clarity prevails when mild and severe penalties are clearly differentiated,
  
• according to the nature of the crimes.
  
  • This is symbolized by the clarity of lightning.
    
• The law is strengthened by a just application of penalties.
  
  • This is symbolized by the terror of thunder.
    

This clarity and severity have the effect of instilling respect;

it is not that the penalties are ends in themselves.

• The obstructions in the social life of man increase when there is
  
  • lack of clarity in the penal codes and
    
  • slackness in executing them.
    
• The only way to strengthen the law is
  
  • to make it clear and
    
  • to make penalties certain and swift.
    

 

THE LINES:

 

Nine at the beginning means:

His feet are fastened in the stocks,

So that his toes disappear.

No blame.

If a sentence is imposed the first time a man attempts to do wrong,

the penalty is a mild one.

Only the toes are put in the stocks.

This prevents him from sinning further and

thus he becomes free of blame.

It is a warning to halt in time on the path of evil.

 

0 Six in the fifth place means:

• Bites on dried lean meat.
  
• Receives yellow gold.
  

Perseveringly aware of danger.

No blame.

The case to be decided is

• indeed not easy
  
• but perfectly clear.
  

Since we naturally incline to leniency,

we must make every effort to be like yellow gold – that is,

• as true as gold and
  
• as impartial as yellow, the color of the middle [the mean].
  

It is only by

remaining conscious of the dangers growing out of the responsibility

we have assumed that

we can avoid making mistakes.

 

 

MOVING HEXAGRAM

 

 

HEXAGRAM 12 – P’i – Standstill (Stagnation)

Above    CH’IEN    THE CREATIVE, HEAVEN

Below    K’UN        THE RECEPTIVE, EARTH

This hexagram is the opposite of the preceding one.

• Heaven is above, drawing farther and farther away, while
  
• the earth below sinks farther into the depths.
  

The creative powers are not in relation.

It is a time of standstill and decline.

This hexagram is linked with the seventh month (August-September),

when

• the year has passed its zenith and
  
• autumnal decay is setting in.
  

 

THE JUDGMENT

STANDSTILL.

Evil people do not further

The perseverance of the superior man.

• The great departs
  
• the small approaches.
  

• Heaven and earth are out of communion and
  
• all things are benumbed.
  

• What is above has no relation to what is below, and
  
• on earth confusion and disorder prevail.
  

• The dark power within,
  
• the light power is without.
  

• Weakness is within,
  
• harshness without.
  

• Within are the inferior, and
  
• without are the superior.
  

• The way of inferior people is in ascent;
  
• the way of superior people is on the decline.
  

But the superior people do not allow themselves to be turned from their principles.

If the possibility of exerting influence is closed to them,

they nevertheless

• remain faithful to their principles and
  
• withdraw into seclusion.
  

 

THE IMAGE

Heaven and earth do not unite: The image Of STANDSTILL.

Thus

• the superior man falls back upon his inner worth In order to escape the difficulties.
  
• He does not permit himself to be honored with revenue.
  

When, owing to the influence of inferior men, mutual mistrust prevails in public life,

fruitful activity is rendered impossible,

because the fundaments are wrong.

Therefore

• the superior man knows what he must do under such circumstances;
  
• he does not allow himself to be tempted by dazzling offers to take part in public activities.
  

This would only expose him to danger, since he cannot assent to the meanness of the others.

He therefore

• hides his worth and
  
• withdraws into seclusion.
  

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