Globalfoundries Inc GFS under CEO Thomas Caulfield

Globalfoundries Inc GFS under CEO Thomas Caulfield

 

HEXAGRAM 22 – Pi – Grace

Above    KEN    KEEPING STILL, MOUNTAIN

Below    Li    THE CLINGING, FIRE

This hexagram shows a fire that

• breaks out of the secret depths of the earth and, blazing up,
  
• illuminates and beautifies the mountain, the heavenly heights.
  
• Grace – beauty of form – is necessary in any union
  

if

• it is to be
  
  • well ordered and pleasing
    
• rather than
  
  • disordered and chaotic.
    

 

THE JUDGMENT

GRACE has success.

In small matters

It is favorable to undertake something.

Grace brings success.

However,

• it is not the essential or fundamental thing;
  
• it is only the ornament and must therefore be used
  
  • sparingly and
    
  • only in little things.
    

1. In the lower trigram of fire
   

   a yielding line
   

• comes
  between two strong lines and
  
• makes them beautiful,
  

but

• the strong lines are the essential content and
  
• the weak line is the beautifying form.
  

1. In the upper trigram of the mountain,
   

   the strong line
   

• takes the lead, so that here again
  
• the strong element must be regarded as the decisive factor.
  

1. In nature we see in the sky the strong light of the sun;
   

   the life of the world depends on it.
   

   But this strong, essential thing is
   

• changed and
  
• given pleasing variety by the moon and the stars.
  

1. In human affairs,
   

   aesthetic form comes into being when
   

   traditions exist that, strong and abiding like mountains, are made pleasing
   

   by a lucid beauty.
   

1. By contemplating the forms existing in the heavens
   

   we come to understand time and its changing demands.
   

2. Through contemplation of the forms existing in human society
   

   it becomes possible to shape the world. 1
   

 

THE IMAGE

Fire at the foot of the mountain: The image of GRACE.

Thus does

• the superior man proceed When clearing up current affairs.
  

But

• he dare not decide controversial issues in this way.
  

• The fire, whose light illuminates the mountain and makes it pleasing,
  
  • does not shine far;
    

in the same way,

• beautiful form suffices to brighten and to throw light upon matters of lesser moment,
  
  • but important questions cannot be decided in this way.
    

They require greater earnestness.

 

THE LINES

 

Nine at the beginning means:

He

• lends grace to his toes,
  
• leaves the carriage, and
  
• walks.
  

A beginner in a subordinate place must take upon himself the labor of advancing.

• There might be an opportunity of surreptitiously easing the way – symbolized by the carriage – but
  
  • a self-contained man scorns help gained in a dubious fashion.
    
• He thinks it more graceful
  
  • to go on foot than
    
  • to drive in a carriage under false pretenses.
    

 

0 Nine at the top means:

Simple grace. No blame.

Here at the highest stage of development all ornament is discarded.

Form

• no longer conceals content but
  
• brings out its value to the full.
  

Perfect grace consists

• not in exterior ornamentation of the substance, but
  
• in the simple fitness of its form.
  

1. This hexagram shows
   

• tranquil beauty-clarity within,
  
• quiet without.
  

This is the tranquility of pure contemplation.

When

• desire is silenced and
  
• the will comes to rest,
  

the world-as-idea becomes manifest.

In this aspect the world is beautiful and removed from the struggle for existence.

This is the world of art.

However,

contemplation alone will not put the will to rest absolutely.

It will awaken again, and then

all the beauty of form will appear to have been only a brief moment of exaltation.

Hence

this is still not the true way of redemption.

For this reason

Confucius felt very uncomfortable when once, on consulting the oracle,

he obtained the hexagram of GRACE.

 

 

MOVING HEXAGRAM

 

 

HEXAGRAM 15 – Ch’ien – Modesty

Above    K´UN    THE RECEPTIVE, EARTH

Below    KEN    KEEPING STILL, MOUNTAIN

This hexagram is made up of the trigrams

• Ken, Keeping Still, mountain, and
  
• K’un.
  

The mountain is the youngest son of the Creative, the representative of heaven on earth.

It

• dispenses the blessings of heaven, the clouds and rain that gather round its summit, and thereafter
  
• shines forth radiant with heavenly light.
  

This shows

• what modesty is and
  
• how it functions in great and strong men.
  

K’un, the earth, stands above.

Lowliness is a quality of the earth:

this is the very reason why it appears in this hexagram as exalted,

by being placed above the mountain.

This shows how modesty functions in lowly, simple people: they are lifted up by it.

 

THE JUDGEMENT

MODESTY creates success.

The superior man carries things through.

It is the law of heaven

• to make fullness empty and
  
• to make full what is modest;
  

• when the sun is at its zenith,
  
  • it must, according to the law of heaven, turn toward its setting, and
    
• at its nadir
  
  • it rises toward a new dawn.
    

In obedience to the same law,

the moon

• when it is full begins to wane, and
  
• when empty of light it waxes again.
  

This heavenly law works itself out in the fates of men also.

It is the law of earth

• to alter the full and
  
• to contribute to the modest.
  
• High mountains are worn down by the waters, and
  
• the valleys are filled up.
  

It is the law of fate

• to undermine what is full and
  
• to prosper the modest.
  

And men also

• hate fullness and
  
• love the modest.
  

The destinies of men are subject to immutable laws that must fulfill themselves.

But

man has it in his power to shape his fate,

according as his behavior exposes him to the influence of benevolent or of destructive forces.

When

• a man holds a high position and is nevertheless modest,
  
• he shines with the light of wisdom;
  

if

• he is in a lowly position and is modest,
  
• he cannot be passed by.
  

Thus the superior man

• can carry out his work to the end
  
• without boasting of what he has achieved.
  

 

THE IMAGE

Within the earth, a mountain: The image Of MODESTY.

Thus the superior man

• reduces that which is too much, And
  
• augments that which is too little.
  

He

• weighs things and
  
• makes them equal.
  

The wealth of the earth in which a mountain is hidden is not visible to the eye,

because the depths are offset by the height of the mountain.

Thus

high and low complement each other, and

the result is the plain.

Here an effect that it took a long time to achieve,

but that in the end seems easy of accomplishment and self-evident,

is used as the image of modesty.

The superior man does the same thing when he establishes order in the world;

he

• equalizes the extremes that are the source of social discontent and thereby
  
• creates just and equable conditions. 1
  

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