JD.Com JD under CEO Lei Xu

JD.Com JD under CEO Lei Xu

 

HEXAGRAM 44 – Kou – Coming to Meet

Above    CH’IEN    THE CREATIVE, HEAVEN

Below    SUN    THE GENTLE, WIND

This hexagram indicates a situation in which the principle of darkness,

after having been eliminated,

furtively and unexpectedly obtrudes again from within and below.

Of its own accord the female principle comes to meet the male.

• It is an unfavorable and dangerous situation, and
  
• we must understand and promptly prevent the possible consequences.
  

The hexagram is linked with the fifth month [June-July],

because at the summer solstice

the principle of darkness gradually becomes ascendant again.

 

THE JUDGMENT

COMING TO MEET.

The maiden is powerful.

One should not marry such a maiden.

The rise of the inferior element is pictured here in the image of

a bold girl who

• lightly surrenders herself and
  
• thus seizes power.
  

This would not be possible if the strong and light-giving element had not in turn come halfway.

• The inferior thing seems so harmless and inviting that
  
  • a man delights in it;
    
• it looks so small and weak that
  
  • he imagines he may dally with it and come to no harm.
    

The inferior man rises only because the superior man

• does not regard him as dangerous and so
  
• lends him power.
  

If

• he were resisted from the first,
  
• he could never gain influence.
  

The time of COMING TO MEET is important in still another way.

Although as a general rule the weak should not come to meet the strong,

there are times when this has great significance.

• When heaven and earth come to meet each other, all creatures prosper;
  
• when a prince and his official come to meet each other, the world is put in order.
  

It is necessary for elements predestined to be joined and mutually dependent

to come to meet one another halfway.

But the coming together must be free of dishonest ulterior motives,

otherwise harm will result.

 

THE IMAGE

Under heaven, wind: The image Of COMING TO MEET.

Thus does the prince act when

• disseminating his commands And
  
• proclaiming them to the four quarters of heaven.
  

The situation here resembles that in hexagram 20, Kuan, CONTEMPLATION (VIEW).

• In the latter the wind blows over the earth,
  
• here it blows under heaven;
  

in both cases it goes everywhere.

There the wind

• is on the earth and
  
• symbolizes the ruler taking note of the conditions in his kingdom;
  

here the wind

• blows from above and
  
• symbolizes the influence exercised by the ruler through his commands.
  

• Heaven is far from the things of earth, but
  
  • it sets them in motion by means of the wind.
    
• The ruler is far from his people, but
  
  • he sets them in motion by means of his commands and decrees.
    

 

THE LINES

 

Nine at the top means:

He comes to meet with his horns.

Humiliation.

No blame.

When a man has withdrawn from the world,

its tumult often becomes unbearable to him.

There are many people who in a noble pride

• hold themselves aloof from all that is low and
  
• rebuff it brusquely wherever it comes to meet them.
  

Such persons are reproached for being proud and distant,

but since active duties no longer hold them to the world,

this does not greatly matter.

They know how to bear the dislike of the masses with composure.

 

 

MOVING HEXAGRAM

 

 

HEXAGRAM 28 – Ta Kuo – Preponderance of the Great

Above    TUI    THE JOUYOUS, LAKE

Below    SUN    THE GENTLE, WIND, WOOD

This hexagram consists of

• four strong lines inside and
  
• two weak lines outside.
  

1. When
   

• the strong are outside and
  
• the weak inside,
  
  • all is well and
    
  • there is
    
    • nothing out of balance,
      
    • nothing extraordinary in the situation.
      

1. Here, however, the opposite is the case.
   

• The hexagram represents a beam that is
  
  • thick and heavy in the middle but
    
  • too weak at the ends.
    
    • This is a condition that cannot last;
      
    • it must be changed, must pass, or misfortune will result.
      

 

THE JUDGMENT

PREPONDERANCE OF THE GREAT.

The ridgepole sags to the breaking point.

It furthers one to have somewhere to go.

Success.

The weight of the great is excessive.

The load is too heavy for the strength of the supports.

The ridgepole, on which the whole roof rests, sags to the breaking point,

because its supporting ends are too weak for the load they bear.

It is an exceptional time and situation;

therefore

extraordinary measures are demanded.

It is necessary

• to find a way of transition as quickly as possible, and
  
• to take action.
  

This promises success.

For although the strong element is in excess,

it is in the middle, that is, at the center of gravity, so that

a revolution is not to be feared.

Nothing is to be achieved by forcible measures.

The problem must be solved by

gentle penetration to the meaning of the situation

(as is suggested by the attribute of the inner trigram, Sun);

then

the change-over to other conditions will be successful.

It demands real superiority;

therefore

the time when the great preponderates is a momentous time.

 

THE IMAGE

The lake rises above the trees:

The image Of PREPONDERANCE OF THE GREAT.

Thus the superior man,

• when he stands alone, Is unconcerned, And
  
• if he has to renounce the world, He is undaunted.
  

• Extraordinary times when the great preponderates are like
  
• flood times when the lake rises over the treetops.
  

But such conditions are temporary.

The two trigrams indicate the attitude proper to such exceptional times:

• the symbol of the trigram Sun is the tree,
  
  • which stands firm even though it stands alone, and
    
• the attribute of Tui is joyousness,
  
  • which remains undaunted even if it must renounce the world.
    

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