Ionis Pharmaceuticals IONS under CEO Brett Monia
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HEXAGRAM 56 – Lu – The Wanderer
Above LI THE CLINGING, FIRE
Below KEN KEEPING STILL, MOUNTAIN
- The mountain, Ken, stands still;
above it
- fire, Li, flames up and does not tarry.
Therefore
the two trigrams do not stay together.
Strange lands and separation are the wanderer’s lot.
THE JUDGMENT
THE WANDERER.
Success through smallness.
Perseverance brings good fortune
To the wanderer.
When
-
a man is a wanderer and stranger,
- he should not be gruff nor overbearing.
- he should not be gruff nor overbearing.
- He has no large circle of acquaintances
therefore
- he should not give himself airs.
- He must be cautious and reserved;
in this way
- he protects himself from evil.
If
-
he is obliging toward others,
- he wins success.
- he wins success.
A wanderer has no fixed abode;
his home is the road.
Therefore
he must take care to remain upright and steadfast,
so that
he
- sojourns only in the proper places,
- associating only with good people.
Then
he
- has good fortune and
- can go his way unmolested.
THE IMAGE
Fire on the mountain: The image of THE WANDERER.
Thus
the superior man
- Is clear-minded and cautious In imposing penalties, And
- protracts no lawsuits.
When grass on a mountain takes fire, there is bright light.
However,
the fire
- does not linger in one place, but
- travels on to new fuel.
It is a phenomenon of short duration.
This is what penalties and lawsuits should be like.
They
- should be a quickly passing matter, and
- must not be dragged out indefinitely.
- Prisons ought to be places where people are lodged only temporarily,
as guests are.
- They must not become dwelling places.
THE LINES
Six at the beginning means:
If
- the wanderer busies himself with trivial things,
- He draws down misfortune upon himself.
A wanderer should not
- demean himself or
- busy himself with
inferior things he meets with along the way.
- The humbler and more defenseless his outward position,
- the more should he preserve his inner dignity.
For a stranger is mistaken if he hopes to find a friendly reception
through lending himself to jokes and buffoonery.
The result will be only
- contempt and
- insulting treatment.
Six in the second place means:
- The wanderer comes to an inn.
- He has his property with him.
- He wins the steadfastness (1) of a young servant.
The wanderer here described is
- modest and
- reserved.
- He does not lose touch with his inner being,
hence
- he finds a resting place.
In the outside world
- he does not lose the liking of other people,
hence
- all persons further him,
so that
- he can acquire property.
Moreover,
-
he wins the allegiance of a faithful and trustworthy servant –
a thing of inestimable value to a wanderer.
Nine in the fourth place means:
- The wanderer rests in a shelter.
- He obtains his property and an ax.
My heart is not glad.
This describes
a wanderer who knows how to limit his desires outwardly, though
he is inwardly strong and aspiring.
Therefore
- he finds at least a place of shelter in which he can stay.
- He also succeeds in acquiring property, but even with this he is not secure.
He must be always on guard, ready to defend himself with arms.
Hence
he is not at ease.
He is persistently conscious of being a stranger in a strange land.
MOVING HEXAGRAM
HEXAGRAM 26 – Ta Ch’u – The Taming Power of the Great
Above KEN KEEPING STILL, MOUNTAIN
Below CH’IEN THE CREATIVE, HEAVEN
The Creative is tamed by Ken, Keeping Still.
This produces great power,
a situation in contrast to that of the ninth hexagram, Hsiao Ch’u, THE TAMING POWER OF THE SMALL,
in which the Creative is tamed by the Gentle alone.
- There
- one weak line must tame five strong lines, but
- here
- four strong lines are restrained by two weak lines;
-
in addition to a minister,
there is a prince, and
-
the restraining power
therefore is far stronger.
The hexagram has a threefold meaning, expressing different aspects of the concept Holding firm.
-
Heaven within the mountain
gives the idea of holding firm in the sense of holding together;
-
the trigram Ken, which holds the trigram Ch’ien still,
gives the idea of holding firm in the sense of holding back;
-
the third idea is
that of holding firm in the sense of caring for and nourishing.
-
This last is suggested by the fact that
a strong line at the top, which is the ruler of the hexagram,
is honored and tended as a sage.
-
The third of these meanings also
attaches specifically to this strong line at the top,
which represents the sage.
THE JUDGMENT
THE TAMING POWER OF THE GREAT.
Perseverance furthers.
Not eating at home brings good fortune.
It furthers one to cross the great water.
To
- hold firmly to great creative powers and
- store them up, as set forth in this hexagram,
there is need of
a strong, clearheaded man who is honored by the ruler.
- The trigram Ch’ien points to strong creative power;
- Ken indicates firmness and truth.
Both point
- to light and clarity and
- to the daily renewal of character.
Only through such daily self-renewal
can a man continue at the height of his powers.
-
Force of habit helps to keep order in quiet times; but
in periods when there is a great storing up of energy,
- everything depends on the power of the personality.
However, since the worthy are honored,
as in the case of the strong personality entrusted with leadership by the ruler,
it is an advantage
- not to eat at home but rather
- to earn one’s bread by entering upon public office.
Such a man is in harmony with heaven;
therefore even great and difficult undertakings,
such as crossing the great water,
succeed.
THE IMAGE
Heaven within the mountain:
The image of THE TAMING POWER OF THE GREAT.
Thus the superior man acquaints himself with
- many sayings of antiquity And
- many deeds of the past,
In order to strengthen his character thereby.
Heaven within the mountain points to hidden treasures.
In the words and deeds of the past there lies hidden a treasure that men may use to
strengthen and elevate their own characters.
The way to study the past is
-
not to confine oneself to mere knowledge of history
but, through application of this knowledge,
- to give actuality to the past.