Marvell Technology MRVL under CEO Matt Murphy

Marvell Technology MRVL under CEO Matt Murphy

6

  H H H  

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9

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HEXAGRAM 64 – Wei Chi – Before Completion

Above    Li    THE CLINGING, FLAME

Below    K’AN    THE ABYSMAL, WATER

This hexagram indicates a time when

the transition from disorder to order is not yet completed.

The change is indeed prepared for,

since

all the lines in the upper trigram are in relation to those in the lower (1).

However,

they are not yet in their places.

While

  • the preceding hexagram offers an analogy to autumn,
    • which forms the transition

      from summer to winter,

  • this hexagram presents a parallel to spring,
    • which leads out of winter’s stagnation into

      the fruitful time of summer.

With this hopeful outlook the Book of Changes comes to its close.

 

THE JUDGMENT

BEFORE COMPLETION.

Success.

But if the little fox, after nearly completing the crossing,

Gets his tail in the water,

There is nothing that would further.

The conditions are difficult.

The task is great and full of responsibility.

It is nothing less than that of

leading the world out of confusion back to order.

But

it is a task that promises success,

because

there is a goal that can unite the forces now tending in different directions.

At first, however,

one must move warily, like an old fox walking over ice.

The caution of a fox walking over ice is proverbial in China.

His ears are constantly alert to the cracking of the ice,

as

he carefully and circumspectly searches out the safest spots.

A young fox who as yet has not acquired this caution

goes ahead boldly,

and it may happen that

he falls in and gets his tail wet

when

he is almost across the water.

Then of course

his effort has been all in vain.

Accordingly, in times “before completion,”

  • deliberation

and

  • caution

are the prerequisites of success.

 

THE IMAGE

Fire over water: The image of the condition before transition.

Thus

the superior man is careful

In the differentiation of things,

So that each finds its place.

When

fire,

  • which by nature flames upward,

    is above,

and

water,

  • which flows downward,

    is below,

their effects

  • take opposite directions

and

  • remain unrelated.

If

  • we wish to achieve an effect,
  • we must first
    • investigate the nature of the forces in question

      and

    • ascertain their proper place.

If

  • we can bring these forces to bear in the right place,
    • they will have the desired effect,

    and

    • completion will be achieved.

But in order to handle external forces properly,

  • we must above all arrive at the correct standpoint ourselves,

    for only from this vantage can we work correctly.

 

THE LINES

 

Nine in the fourth place means:

Perseverance brings good fortune.

Remorse disappears.

Shock, thus to discipline the Devil’s Country.

For three years, great realms are awarded.

Now it is the time of struggle.

The transition must be completed.

We

  • must make ourselves strong in resolution;

    this brings good fortune.

All misgivings that might arise in such grave times of struggle

  • must be silenced.

It is a question of a fierce battle

  • to break

and

  • to discipline

the Devil´s Country, the forces of decadence.

But

  • the struggle also has its reward.

Now is the time to lay the foundations of

  • power

and

  • mastery

for the future.

 

Six in the fifth place means:

Perseverance brings good fortune.

No remorse.

The light of the superior man is true.

Good fortune.

The victory has been won.

The power of steadfastness has not been routed.

Everything has gone well.

All misgivings have been overcome.

Success has justified the deed.

The light of a superior personality

  • shines forth anew

and

  • makes its influence felt among men

    who have faith in it and rally around it.

The new time has arrived,

and

with it good fortune.

And just

  • as the sun shines forth in redoubled beauty after rain, or
  • as a forest grows more freshly green from charred ruins after a fire,

so

  • the new era appears all the more glorious

    by contrast with the misery of the old.

 

Nine at the top means:

There is drinking of wine

In genuine confidence.

No blame.

But if

one wets his head,

He loses it, in truth.

Before completion, at the dawning of the new time,

  • friends foregather in an atmosphere of mutual trust,

and

  • the time of waiting is passed in conviviality.

Since

the new era is hard on the threshold,

there is no blame in this.

But

one must be careful in all this to keep within proper bounds.

If in his exuberance

  • a man gets drunk,
  • he forfeits the favorableness of the situation

    through his intemperance.

 

 

MOVING HEXAGRAM

 

 

HEXAGRAM 29 – K’an – The Abysmal (Water)

Above    K’AN    THE ABYSMAL, WATER

Below    K’AN    THE ABYSMAL, WATER

This hexagram consists of a doubling of the trigram K’an.

It is one of the eight hexagrams in which doubling occurs.

The trigram K’an means a plunging in.

A yang line

  • has plunged in between two yin lines

and

  • is closed in by them like water in a ravine.

The trigram K’an is also the middle son.

The Receptive

  • has obtained the middle line of the Creative,

and thus

  • K’an develops.

As an image it represents water,

the water that

  • comes from above

and

  • is in motion on earth in streams and rivers,

    giving rise to all life on earth.

In man’s world K’an represents

  • the heart,
  • the soul locked up within the body,
  • the principle of light inclosed in the dark – that is, reason.

The name of the hexagram, because the trigram is doubled,

has the additional meaning,

repetition of danger.”

Thus the hexagram is intended to designate

  • an objective situation to which one must become accustomed,
  • not a subjective attitude.

For danger due to a subjective attitude means

either

  • foolhardiness

or

  • guile.

Hence too a ravine is used to symbolize danger;

it is a situation in which

a man is in the same pass as

the water in a ravine,

and,

like the water,

  • he can escape

if

  • he behaves correctly.

 

THE JUDGMENT

The Abysmal repeated.

If you are sincere,

  • you have success in your heart,

And

  • whatever you do succeeds.

Through repetition of danger

we grow accustomed to it.

Water sets the example for the right conduct under such circumstances.

  • It
    • flows on and on,

    and

    • merely fills up all the places through which it flows;
  • it
    • does not shrink from any dangerous spot nor from any plunge,

    and

    • nothing can make it lose its own essential nature.
  • It
    • remains true to itself under all conditions.

Thus likewise,

  • if one is sincere when confronted with difficulties,
    • the heart can penetrate the meaning of the situation.

And

  • once we have gained inner mastery of a problem,
    • it will come about naturally that the action we take will succeed.

In danger all that counts is really

  • carrying out all that has to be done – thoroughness –

and

  • going forward, in order not to perish through tarrying in the danger.

Properly used,

danger can have an important meaning as a protective measure.

Thus

  • heaven has its perilous height protecting it
    • against every attempt at invasion, and
  • earth has its mountains and bodies of water,
    • separating countries by their dangers.

Thus also

rulers make use of danger to protect themselves

  • against attacks from without

and

  • against turmoil within.

 

THE IMAGE

Water

  • flows on uninterruptedly

and

  • reaches its goal:

The image of the Abysmal repeated.

Thus the superior man

  • walks in lasting virtue

And

  • carries on the business of teaching.

Water reaches its goal by flowing continually.

It fills up every depression before it flows on.

The superior man follows its example;

he is concerned that goodness should be

  • an established attribute of character

rather than

  • an accidental and isolated occurrence.

So likewise in teaching others everything depends on consistency,

for

it is only through repetition

that

the pupil makes the material his own.


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