Dollar Tree DLTR under Michael Witynski

Dollar Tree DLTR under Michael Witynski

 

HEXAGRAM 22 – Pi – Grace

Above    KEN    KEEPING STILL, MOUNTAIN

Below    Li    THE CLINGING, FIRE

This hexagram shows a fire that

• breaks out of the secret depths of the earth and, blazing up,
  
• illuminates and beautifies the mountain, the heavenly heights.
  
• Grace – beauty of form – is necessary in any union
  

if

• it is to be
  
  • well ordered and pleasing
    
• rather than
  
  • disordered and chaotic.
    

 

THE JUDGMENT

GRACE has success.

In small matters

It is favorable to undertake something.

Grace brings success.

However,

• it is not the essential or fundamental thing;
  
• it is only the ornament and must therefore be used
  
  • sparingly and
    
  • only in little things.
    

1. In the lower trigram of fire
   

   a yielding line
   

• comes
  between two strong lines and
  
• makes them beautiful,
  

but

• the strong lines are the essential content and
  
• the weak line is the beautifying form.
  

1. In the upper trigram of the mountain,
   

   the strong line
   

• takes the lead, so that here again
  
• the strong element must be regarded as the decisive factor.
  

1. In nature we see in the sky the strong light of the sun;
   

   the life of the world depends on it.
   

   But this strong, essential thing is
   

• changed and
  
• given pleasing variety by the moon and the stars.
  

1. In human affairs,
   

   aesthetic form comes into being when
   

   traditions exist that, strong and abiding like mountains, are made pleasing
   

   by a lucid beauty.
   

1. By contemplating the forms existing in the heavens
   

   we come to understand time and its changing demands.
   

2. Through contemplation of the forms existing in human society
   

   it becomes possible to shape the world. 1
   

 

THE IMAGE

Fire at the foot of the mountain: The image of GRACE.

Thus does

• the superior man proceed When clearing up current affairs.
  

But

• he dare not decide controversial issues in this way.
  

• The fire, whose light illuminates the mountain and makes it pleasing,
  
  • does not shine far;
    

in the same way,

• beautiful form suffices to brighten and to throw light upon matters of lesser moment,
  
  • but important questions cannot be decided in this way.
    

They require greater earnestness.

 

THE LINES

Nine at the beginning means:

He

• lends grace to his toes,
  
• leaves the carriage, and
  
• walks.
  

A beginner in a subordinate place must take upon himself the labor of advancing.

• There might be an opportunity of surreptitiously easing the way – symbolized by the carriage – but
  
  • a self-contained man scorns help gained in a dubious fashion.
    
• He thinks it more graceful
  
  • to go on foot than
    
  • to drive in a carriage under false pretenses.
    

 

Six in the fourth place means:

Grace or simplicity?

A white horse comes as if on wings.

• He is not a robber,
  
• He will woo at the right time.
  

An individual is in a situation in which doubts arise as to which is better –

• to pursue the grace of external brilliance, or
  
• to return to simplicity.
  

The doubt itself implies the answer.

• Confirmation comes from the outside;
  
• it comes like a white winged horse.
  

The white color indicates simplicity.

At first

• it may be disappointing to renounce comforts that might have been obtained,
  

yet

• one finds peace of mind in a true relationship with the friend who courts him.
  

The winged horse is the symbol of the thoughts that transcend all limits of space and time.

 

0 Nine at the top means:

Simple grace. No blame.

Here at the highest stage of development all ornament is discarded.

Form

• no longer conceals content but
  
• brings out its value to the full.
  

Perfect grace consists

• not in exterior ornamentation of the substance, but
  
• in the simple fitness of its form.
  

1. This hexagram shows
   

• tranquil beauty-clarity within,
  
• quiet without.
  

This is the tranquility of pure contemplation.

When

• desire is silenced and
  
• the will comes to rest,
  

the world-as-idea becomes manifest.

In this aspect the world is beautiful and removed from the struggle for existence.

This is the world of art.

However,

contemplation alone will not put the will to rest absolutely.

It will awaken again, and then

all the beauty of form will appear to have been only a brief moment of exaltation.

Hence

this is still not the true way of redemption.

For this reason

Confucius felt very uncomfortable when once, on consulting the oracle,

he obtained the hexagram of GRACE.

 

MOVING HEXAGRAM

 

 

HEXAGRAM 62 – Hsiao Kuo – Preponderance of the Small

Above    CHEN     THE AROUSING, THUNDER

Below    KEN    KEEPING STILL, MOUNTAIN

While in the hexagram Ta Kuo, PREPONDERANCE OF THE GREAT (28),

the strong lines

• preponderate and
  
• are within inclosed between weak lines at the
  
  • top and
    
  • bottom,
    

the present hexagram

• has weak lines preponderating,
  

though here again

• they are on the outside,
  
• the strong lines being within.
  

This indeed is the basis of

the exceptional situation indicated by the hexagram.

When

strong lines are outside,

we have the hexagram

• I, PROVIDING NOURISHMENT (27), or
  
• Chung Fu, INNER TRUTH (61);
  

neither represents an exceptional state.

When

• strong elements within preponderate,
  
• they necessarily enforce their will.
  

This creates struggle and exceptional conditions in general.

But

in the present hexagram

it is the weak element that perforce must mediate with the outside world.

If

• a man occupies a position of authority for which
  
• he is by nature really inadequate,
  

extraordinary prudence is necessary.

THE JUDGMENT

PREPONDERANCE OF THE SMALL.

Success.

Perseverance furthers.

• Small things may be done;
  
• great things should not be done.
  

The flying bird brings the message:

• It is not well to strive upward,
  
• It is well to remain below.
  

Great good fortune.

• Exceptional modesty and
  
• conscientiousness
  

are sure to be rewarded with success;

however,

if a man is not to throw himself away,

it is important that they should

• not become empty form and subservience
  
• but be combined always with a correct dignity in personal behavior.
  

We must understand the demands of the time

in order to find the necessary offset for its

• deficiencies and
  
• damages.
  

In any event

• we must not count on great success,
  
• since the requisite strength is lacking.
  

In this lies the importance of the message that

one should

• not strive after lofty things
  

but

• hold to lowly things.
  

The structure of the hexagram gives rise to the idea that

this message is brought by a bird.

In Ta Kuo, PREPONDERANCE OF THE GREAT (28),

• the four strong, heavy lines within,
  
• supported only by two weak lines without,
  

give the image of a sagging ridgepole.

Here

• the supporting weak lines are both
  
  • outside and
    
  • preponderant;
    

this gives the image of a soaring bird.

But

• a bird should not try to surpass itself and fly into the sun;
  
• it should descend to the earth, where its nest is.
  

In this way

• it gives the message conveyed by the hexagram.
  

THE IMAGE

Thunder on the mountain: The image of PREPONDERANCE OF THE SMALL.

Thus

• in his conduct the superior man gives preponderance to reverence.
  
• In bereavement be gives preponderance to grief.
  
• In his expenditures he gives preponderance to thrift.
  

• Thunder on the mountain is different from
  
• thunder on the plain.
  

In the mountains,

• thunder seems much nearer;
  

outside the mountains,

• it is less audible than the thunder of an ordinary storm.
  

Thus

the superior man derives an imperative from this image:

he must always fix his eyes

• more closely and
  
• more directly
  

on duty

than does the ordinary man,

even though this might make his behavior seem petty to the outside world.

He is exceptionally conscientious in his actions.

In bereavement

• emotion means more to him than ceremoniousness.
  

In all his personal expenditures

• he is extremely simple and unpretentious.
  

In comparison with the man of the masses,

• all this makes him stand out as exceptional.
  

But

the essential significance of his attitude lies in the fact that

in external matters

• he is on the side of the lowly.
  

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