Valaris VAL under CEO Thomas Burke

Valaris VAL under CEO Thomas Burke

 

6

  H H H  

3

3

3

 

9

5

  H T T  

3

2

2

 

7

4

  H T T  

3

2

2

 

7

                     

3

  H H T  

3

3

2

 

8

2

  H T T  

3

2

2

 

7

1

  T T T  

2

2

2

 

6

 

HEXAGRAM 06 – Sung – Conflict

Above    CH’IEN    THE CREATIVE, HEAVEN

Below    K’AN        THE ABYSMAL, WATER

  1. The upper trigram, whose image is heaven, has an upward movement;

    the lower trigram, water, in accordance with its nature, tends downward.

    Thus the two halves move away from each other, giving rise to the idea of conflict.

  2. The attribute of the Creative is strength

    that of the abysmal is danger, guile.

    Where cunning has force before it, there is conflict.

  3. A third indication of conflict, in terms of character, is presented by the combination of

    deep cunning within and

    fixed determination outwardly.

    A person of this character will certainly be quarrelsome.

 

THE JUDGMENT

CONFLICT.

  • You are sincere And
  • are being obstructed.

A cautious halt halfway brings good fortune.

Going through to the end brings misfortune.

It furthers one to see the great man.

It does not further one to cross the great water.

Conflict develops when one

  • feels himself to be in the right and
  • runs into opposition.

If one is not convinced of being in the right, opposition leads

  • to craftiness or high-handed encroachment but
  • not to open conflict.

If a man is entangled in a conflict,

his only salvation lies in being so

  • clear-headed and
  • inwardly strong

that he is always ready to come to terms by meeting the opponent halfway.

To carry on the conflict to the bitter end has evil effects even when one is in the right,

because the enmity is then perpetuated.

It is important to see the great man,

that is, an impartial man whose authority is great enough to

  • terminate the conflict amicably or
  • assure a just decision.

In times of strife, crossing the great water is to be avoided, that is,

dangerous enterprises are not to be begun,

because in order to be successful they require concerted unity of forces.

Conflict within weakens the power to conquer danger without.

 

THE IMAGE

Heaven and water go their opposite ways: The image of Conflict.

Thus in all his transactions the superior man

Carefully considers the beginning.

The image indicates that

the causes of conflict are latent in the opposing tendencies of the two trigram.

Once these opposing tendencies appear, conflict is inevitable.

To avoid it, therefore, everything must be taken carefully into consideration in the very beginning.

  • If rights and duties are exactly defined, or
  • if, in a group, the spiritual trends of the individuals harmonize,

the cause of conflict is removed in advance.

 

THE LINES

Six at the beginning means:

If one does not perpetuate the affair,

There is a little gossip.

In the end, good fortune comes.

While a conflict is in the incipient stage, the best thing to do is to drop the issue.

Especially when the adversary is stronger,

it is not advisable to risk pushing the conflict to a decision.

It may come to a slight dispute, but in the end all goes well.

Nine at the top means:

Even if by chance a leather belt is bestowed on one,

By the end of a morning

It will have been snatched away three times.

Here we have someone who has carried a conflict to the bitter end and has triumphed.

He is granted a decoration, but his happiness does not last.

He is attacked again and again, and the result is conflict without end.

 

 

MOVING HEXAGRAM

 

 

HEXAGRAM 58 – Tui – The Joyous, Lake

Above    TUI    THE JOYOUS, LAKE

Below    TUI    THE JOYOUS, LAKE

  • This hexagram,
  • like Sun,

is one of the eight formed by doubling of a trigram.

The trigram Tui denotes the youngest daughter;

it is symbolized by the smiling lake, and

its attribute is joyousness.

Contrary to appearances,

  • it is not the yielding quality of the top line that accounts for joy here.
  • The attribute of the yielding or dark principle is
    • not joy
    • but melancholy.

However,

JOY is indicated by the fact that

there are two strong lines within,

expressing themselves through the medium of gentleness.

 

True joy, therefore,

  • rests on firmness and strength within,
  • manifesting itself outwardly as yielding and gentle.

 

THE JUDGMENT

THE JOYOUS.

Success.

Perseverance is favorable.

The joyous mood

  • is infectious

and therefore

  • brings success.

But

  • joy must be based on steadfastness

if

  • it is not to degenerate into uncontrolled mirth.
  • Truth and strength must dwell in the heart,

while

  • gentleness reveals itself in social intercourse.
  • In this way

one

  • assumes the right attitude toward God and man and
  • achieves something.

Under certain conditions,

intimidation without gentleness may achieve something

  • momentarily,
  • but not for all time.

When, on the other hand,

the hearts of men are won by friendliness,

they are

  • led to take all hardships upon themselves willingly,

and if need be

  • will not shun death itself,

so great is the power of joy over men.

 

THE IMAGE

Lakes resting one on the other: The image of THE JOYOUS.

Thus the superior man joins with his friends

For

  • discussion and
  • practice.
  • A lake evaporates upward

and thus

  • gradually dries up;

but when

two lakes are joined

  • they do not dry up so readily,
  • for one replenishes the other.

It is the same in the field of knowledge.

Knowledge should be a refreshing and vitalizing force.

It becomes so only through stimulating intercourse

  • with congenial friends
  • with whom one
    • holds discussion and
    • practices application of the truths of life.

In this way

learning

  • becomes many-sided and
  • takes on a cheerful lightness,

whereas

  • there is always something ponderous and one-sided about
  • the learning of the self-taught.


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