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HEXAGRAM 20 – Kuan – Contemplation (View)

Above    SUN    THE GENTLE, WIND

Below    K’UN    THE RECEPTIVE, EARTH

A slight variation of tonal stress gives the Chinese name for this hexagram a double meaning.

It means both

  • contemplating and
  • being seen, in the sense of being an example.

These ideas are suggested by the fact that the hexagram can be understood as picturing a type of tower characteristic of ancient China.

  • A tower of this kind commanded a wide view of the country;

    at the same time, when situated on a mountain,

  • it became a landmark that could be seen for miles around.

Thus the hexagram shows a ruler

  • who contemplates the law of heaven above him and the ways of the people below, and
  • who, by means of good government, sets a lofty example to the masses.

This hexagram is linked with the eighth month (September – October).

  • The light-giving power retreats and
  • the dark power is again on the increase.

However, this aspect is not material in the interpretation of the hexagram as a whole.

 

THE JUDGMENT

CONTEMPLATION.

  • The ablution has been made,

But

  • not yet the offering.

Full of trust they look up to him.

The sacrificial ritual in China began with

  • an ablution and
  • a libation by which the Deity was invoked,

after which the sacrifice was offered.

The moment of time between these two ceremonies is the most sacred of all,

the moment of deepest inner concentration.

If piety is

  • sincere and
  • expressive of real faith,

the contemplation of it has a transforming and awe-inspiring effect

on those who witness it.

Thus also in nature

a holy seriousness is to be seen in the fact that

natural occurrences are uniformly subject to law.

Contemplation of the divine meaning underlying the workings of the universe gives

to the man who is called upon to influence others

the means of producing like effects.

This requires that power of inner concentration which religious contemplation

develops in great men strong in faith.

  • It enables them to apprehend the mysterious and divine laws of life, and

    by means of profoundest inner concentration

  • they give expression to these laws in their own persons.

Thus

a hidden spiritual power emanates from them,

influencing and dominating others

without their being aware of how it happens.

 

THE IMAGE

The wind blows over the earth: The image of CONTEMPLATION.

Thus the kings of old

  • visited the regions of the world,
  • Contemplated the people, And
  • gave them instruction.

When the wind blows over the earth it

  • goes far and wide and
  • the grass must bend to its power.

These two occurrences find confirmation in the hexagram.

The two images are used to symbolize a practice of the kings of old;

  1. in making regular journeys the ruler could, in the first place,

    survey his realm and

    make certain that none of the existing usages of the people escaped notice;

  2. in the second,

    he could exert influence through which such customs as were unsuitable

    could be changed.

All of this points to the power possessed by a superior personality.

  • On the one hand, such a man
    • will have a view of the real sentiments of the great mass of humanity and therefore
    • cannot be deceived;
  • on the other, he
    • will impress the people so profoundly,
      • by his mere existence and
      • by the impact of his personality,

      that they will be swayed by him as the grass by the wind.

 

THE LINES

Six at the beginning means:

Boy like contemplation.

For an inferior man, no blame.

For a superior man, humiliation.

This means contemplation from a distance, without comprehension.

A man of influence is at hand,

but his influence is not understood by the common people.

This matters little in the case of the masses,

for they benefit by the actions of the ruling sage

whether they understand them or not.

But for a superior man it is a disgrace.

  • He must not content himself with a shallow, thoughtless view of prevailing forces;
  • he must
    • contemplate them as a connected whole and
    • try to understand them.

Six in the second place means:

Contemplation through the crack of the door.

Furthering for the perseverance of a woman.

Through the crack of the door

  • one has a limited outlook;
  • one looks outward from within.

Contemplation is subjectively limited.

One

  • tends to relate everything to oneself and
  • cannot put oneself in another’s place and understand his motives.

This is appropriate for a good housewife.

It is not necessary for her to be conversant with the affairs of the world.

But for a man who must take active part in public life,

such a narrow, egotistic way of contemplating things is of course harmful.

Six in the third place means:

Contemplation of my life

Decides the choice Between

  • advance and
  • retreat.

This is the place of transition.

We

  • no longer look outward to receive pictures that are more or less limited and confused,
  • but direct our contemplation upon ourselves in order to find a guideline for our decisions.

This self-contemplation means the overcoming of naive egotism

in the person who sees everything solely from his own standpoint.

He begins to reflect and in this way acquires objectivity.

However,

  • self-knowledge does not mean preoccupation with one’s own thoughts; rather,
  • it means concern about the effects one creates.

It is only the effects our lives produce that give us the right to judge

whether what we have done means progress or regression.

Six in the fourth place means:

Contemplation of the light of the kingdom.

It furthers one to exert influence as the guest of a king.

This describes a man who understands the secrets

by which a kingdom can be made to flourish.

Such a man must be given an authoritative position, in which he can exert influence.

He should be, so to speak, a guest – that is,

  • he should be honored and allowed to act independently, and
  • should not be used as a tool.

 

MOVING HEXAGRAM

 

HEXAGRAM 01 – Chien – The Creative

Above    THE CREATIVE, HEAVEN

Below    THE CREATIVE, HEAVEN

The first hexagram is made up of six unbroken lines.

These unbroken lines stand for the primal power, which is

  • light giving,
  • active,
  • strong, and of
  • the spirit.

The hexagram is consistently strong, in character, and

since it is without weakness,

its essence is power or energy.

Its image is heaven.

Its energy

  • is represented as unrestricted by any fixed conditions in space and
  • is therefore conceived of as motion.

Time is regarded as the basis of this motion.

Thus the hexagram includes also

  • the power of time and
  • the power of persisting in time, that is, duration.

The power represented by the hexagram is to be interpreted in a dual sense – in terms of

  • its action on the universe and of
  • its action on the world of men.
  • In relation to the universe, the hexagram expresses the strong, creative action of the Deity.
  • In relation to the human world, it denotes the creative action of the holy man or sage, of the ruler or leader of men, who through his power awakens and develops their higher nature. 1

 

THE JUDGMENT

THE CREATIVE works sublime success,

Furthering through perseverance. 2

According to the original meaning, the attributes (sublimity, potentiality of success, power to further, perseverance) are paired.

When an individual draws this oracle, it means

  • that success come to him from the primal depths of the universe and
  • that everything depends upon his seeking his happiness and that of others in one way only, that is, by perseverance in what is right.

The specific meanings of the four attributes became the subject of speculation at an early date.

The Chinese word here rendered by “sublime” means literally “head,” “origin,” “great.”

This is why Confucius says in explaining it:

“Great indeed is the generating power of the Creative; all beings owe their beginning to it. This power permeates all heaven. 3 For this attribute inheres in the other three as well.

The beginning of all things lies still in the beyond in the form of ideas that have yet to become real.

But the Creative furthermore has power to lend form to these archetypes of ideas.

  • This is indicated in the word success, and
  • the process is represented by an image from nature: “The clouds pass and the rain does its work, and all individual beings flow into their forms.” 4

Applied to the human world, these attributes show the great man the way to notable success:

“Because he sees with great clarity causes and effects, he

  • completes the six steps at the right time and
  • mounts toward heaven on them at the right time, as though of six dragons.”

The six steps are the six different positions given in the hexagram,

which are represented later by the dragon symbol.

Here it is shown that the way to success lies in

  • apprehending understanding and
  • giving actuality to the way of the universe (Tao), which, as a law running, through end and beginning, brings about all phenomena in time.

Thus each step attained forthwith becomes a preparation for the next.

Time is no longer a hindrance but the means of making actual what is potential.

The act of creation having found expression in the two attributes – sublimity and success,

the work of conservation is shown to be a continuous actualization and differentiation of form.

This is expressed in the two terms

  • “furthering” (literally, “creating that which accords with the nature of a given being”) and
  • “persevering” (literally, “correct and firm”).

“The course of the Creative alters and shapes beings until each attains its true, specific nature, then

it keeps them in conformity with the Great Harmony.

Thus does it show itself to further through perseverance.”

In relation to the human sphere, this shows how

the great man brings peace and security to the world through his activity in creating order:

“He towers high above the multitude of beings, and all lands are united in peace.”

Another line of speculation goes still further in separating the words “sublime,” “success,” “furthering” “perseverance,” and parallels them with the four cardinal virtues in humanity.

1)To sublimity, which, as the fundamental principle, embraces all the other attributes, it links love.

2) To the attribute success are linked the mores, which regulate and organize the expressions of love and thereby make them successful. 5

3) The attribute furthering is correlated with justice, which creates the conditions in which each receives that which accords with his being, that which is due him and which constitutes his happiness.

4) The attribute perseverance is correlated with wisdom, which discerns the immutable laws of all that happens and can therefore bring about enduring conditions.

These speculations, already broached in the commentary called Wen Yen, 6 later formed the bridge connecting the philosophy of the “five stages (elements) of change,” as laid down in the Book of History (Shu Ching) with the philosophy of the Book of Changes, which is based solely on the polarity of positive and negative principles. In the course of time this combination of the two systems of thought opened the way for an increasingly intricate number symbolism. 7

THE IMAGE

The movement of heaven is full of power.

Thus the superior man makes himself strong and untiring.

Since there is only one heaven, the doubling of the trigram Ch’ien, of which heaven is the image, indicates the movement of heaven.

One complete revolution of heaven makes a day, and the repetition of the trigram means that each day is followed by another.

This creates the idea of time.

Since it is the same heaven moving with untiring power, there is also created the idea of duration both in and beyond time, a movement that never stops nor slackens, just as one day follows another in an unending course.

This duration in time is the image of the power inherent in the Creative.

With this image as a model,

the sage learns how best to develop himself so that his influence may endure.

He must make himself strong in every way,

by consciously casting out all that is inferior and degrading.

Thus he attains that tirelessness,

which depends upon consciously limiting the fields of his activity.

 

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