Amyris (AMRS) under CEO John Melo (12/2012)

Amyris (AMRS) under CEO John Melo (12/2012)

Amyris (AMRS) under CEO John Melo (12/2012)

 

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HEXAGRAM 10 – Lu – Treading (Conduct)

 

Above    CH’IEN  THE CREATIVE, HEAVEN

Below    TUI         THE JOYOUS, LAKE

 

The name of the hexagram means on the one hand the right way of conducting oneself.  Heaven, the father, is above, and the lake, the youngest daughter, is below.  This shows the difference between high and low, upon which composure, correct social conduct, depends.  On the other hand, the word for the name of the hexagram, TREADING, 1 means literally treading upon something.  The small and cheerful [Tui] treads upon the large and strong [Ch’ien].  The direction of movement of the two primary trigrams is upward.  The fact that the strong treads on the weak is not mentioned in the Book of Changes, because it is taken for granted.  For the weak to take a stand against the strong is not dangerous here, because it happens in good humor [Tui] and without presumption, so that the strong man is not irritated but takes it all in good part.

 

 

THE JUDGMENT

 

TREADING. 

Treading upon the tail of the tiger.

It does not bite the man. 

Success.

 

The situation is really difficult.  That which is strongest and that which is weakest are close together.  The weak follows behind the strong and worries it.  The strong, however, acquiesces and does not hurt the weak, because the contact is in good humor and harmless.

 

In terms of a human situation, one is handling wild, intractable people.  In such a case one’s purpose will be achieved if one behaves with decorum.  Pleasant manners succeed even with irritable people.

 

 

THE IMAGE

 

Heaven above, the lake below:  The image Of TREADING.

Thus the superior man discriminates between high and low,

And thereby fortifies the thinking of the people.

 

Heaven and the lake show a difference of elevation that inheres in the natures of the two, hence no envy arises.  Among mankind also there are necessarily differences of elevation; it is impossible to bring about universal equality.  But it is important that differences in social rank should not be arbitrary and unjust, for if this occurs, envy and class struggle are the inevitable consequences.  If, on the other hand, external differences in rank correspond with differences in inner worth, and if inner worth forms the criterion of external rank, people acquiesce and order reigns in society.

 

 

 

 

THE LINES

 

 

0 Six in the third place means:

A one-eyed man is able to see, 

A lame man is able to tread.

He treads on the tail of the tiger. 

The tiger bites the man.

Misfortune.

Thus does a warrior act on behalf of his great prince.

 

A one-eyed man can indeed see, but not enough for clear vision.  A lame man can indeed tread, but not enough to make progress.  If in spite of such defects a man considers himself strong and consequently exposes himself to danger, he is inviting disaster, for he is undertaking something beyond his strength . This reckless way of plunging ahead, regardless of the adequacy of one’s powers, can be justified only in the case of a warrior battling for his prince.

 

 

 

 

 

HEXAGRAM 01 – Chien – The Creative

 

 

Above    THE CREATIVE, HEAVEN

Below    THE CREATIVE, HEAVEN

 

 

The first hexagram is made up of six unbroken lines.  These unbroken lines stand for the primal power, which is light giving, active, strong, and of the spirit.  The hexagram is consistently strong, in character, and since it is without weakness, its essence is power or energy.  Its image is heaven.  Its energy is represented as unrestricted by any fixed conditions in space and is therefore conceived of as motion.  Time is regarded as the basis of this motion.  Thus the hexagram includes also the power of time and the power of persisting in time, that is, duration.

 

The power represented by the hexagram is to be interpreted in a dual sense – in terms of its action on the universe and of its action on the world of men.  In relation to the universe, the hexagram expresses the strong, creative action of the Deity.  In relation to the human world, it denotes the creative action of the holy man or sage, of the ruler or leader of men, who through his power awakens and develops their higher nature.  1

 

 

THE JUDGMENT

 

THE CREATIVE works sublime success,

Furthering through perseverance.  2

 

 

According to the original meaning, the attributes (sublimity, potentiality of success, power to further, perseverance) are paired.  When an individual draws this oracle, it means that success come to him from the primal depths of the universe and that everything depends upon his seeking his happiness and that of others in one way only, that is, by perseverance in what is right.

 

The specific meanings of the four attributes became the subject of speculation at an early date.  The Chinese word here rendered by “sublime” means literally “head,” “origin,” “great.”

 

This is why Confucius says in explaining it:

“Great indeed is the generating power of the Creative; all beings owe their beginning to it.  This power permeates all heaven. 3 For this attribute inheres in the other three as well.

 

The beginning of all things lies still in the beyond in the form of ideas that have yet to become real.  But the Creative furthermore has power to lend form to these archetypes of ideas.  This is indicated in the word success, and the process is represented by an image from nature: “The clouds pass and the rain does its work, and all individual beings flow into their forms.” 4

 

Applied to the human world, these attributes show the great man the way to notable success: “Because he sees with great clarity causes and effects, he completes the six steps at the right time and mounts toward heaven on them at the right time, as though of six dragons.”

 

The six steps are the six different positions given in the hexagram, which are represented later by the dragon symbol.  Here it is shown that the way to success lies in apprehending understanding and giving actuality to the way of the universe (Tao), which, as a law running, through end and beginning, brings about all phenomena in time.  Thus each step attained forthwith becomes a preparation for the next.  Time is no longer a hindrance but the means of making actual what is potential.

 

The act of creation having found expression in the two attributes – sublimity and success, the work of conservation is shown to be a continuous actualization and differentiation of form.  This is expressed in the two terms “furthering” (literally, “creating that which accords with the nature of a given being”) and “persevering” (literally, “correct and firm”).  “The course of the Creative alters and shapes beings until each attains its true, specific nature, then it keeps them in conformity with the Great Harmony.  Thus does it show itself to further through perseverance.”

 

In relation to the human sphere, this shows how the great man brings peace and security to the world through his activity in creating order: “He towers high above the multitude of beings, and all lands are united in peace.”

 

Another line of speculation goes still further in separating the words “sublime,” “success,” “furthering” “perseverance,” and parallels them with the four cardinal virtues in humanity. 

1)To sublimity, which, as the fundamental principle, embraces all the other attributes, it links love. 

2) To the attribute success are linked the mores, which regulate and organize the expressions of love and thereby make them successful.  5

3) The attribute furthering is correlated with justice, which creates the conditions in which each receives that which accords with his being, that which is due him and which constitutes his happiness. 

4) The attribute perseverance is correlated with wisdom, which discerns the immutable laws of all that happens and can therefore bring about enduring conditions. 

 

These speculations, already broached in the commentary called Wen Yen, 6 later formed the bridge connecting the philosophy of the “five stages (elements) of change,” as laid down in the Book of History (Shu Ching) with the philosophy of the Book of Changes, which is based solely on the polarity of positive and negative principles.  In the course of time this combination of the two systems of thought opened the way for an increasingly intricate number symbolism. 7

 

 

THE IMAGE

 

The movement of heaven is full of power. 

Thus the superior man makes himself strong and untiring.

 

 

Since there is only one heaven, the doubling of the trigram Ch’ien, of which heaven is the image, indicates the movement of heaven.  One complete revolution of heaven makes a day, and the repetition of the trigram means that each day is followed by another.  This creates the idea of time.  Since it is the same heaven moving with untiring power, there is also created the idea of duration both in and beyond time, a movement that never stops nor slackens, just as one day follows another in an unending course.  This duration in time is the image of the power inherent in the Creative.

 

With this image as a model, the sage learns how best to develop himself so that his influence may endure.  He must make himself strong in every way, by consciously casting out all that is inferior and degrading.  Thus he attains that tirelessness, which depends upon consciously limiting the fields of his activity.

 

 

 

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