Chipotle CMG under CEO Brian Niccol

 

 

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HEXAGRAM 06 – Sung – Conflict

Above    CH’IEN    THE CREATIVE, HEAVEN

Below    K’AN        THE ABYSMAL, WATER

  1. The upper trigram, whose image is heaven, has an upward movement;

    the lower trigram, water, in accordance with its nature, tends downward.

    Thus the two halves move away from each other, giving rise to the idea of conflict.

  2. The attribute of the Creative is strength

    that of the abysmal is danger, guile.

    Where cunning has force before it, there is conflict.

  3. A third indication of conflict, in terms of character, is presented by the combination of

    deep cunning within and

    fixed determination outwardly.

    A person of this character will certainly be quarrelsome.

THE JUDGMENT

CONFLICT.

  • You are sincere And
  • are being obstructed.

A cautious halt halfway brings good fortune.

Going through to the end brings misfortune.

It furthers one to see the great man.

It does not further one to cross the great water.

Conflict develops when one

  • feels himself to be in the right and
  • runs into opposition.

If one is not convinced of being in the right, opposition leads

  • to craftiness or high-handed encroachment but
  • not to open conflict.

If a man is entangled in a conflict,

his only salvation lies in being so

  • clear-headed and
  • inwardly strong

that he is always ready to come to terms by meeting the opponent halfway.

To carry on the conflict to the bitter end has evil effects even when one is in the right,

because the enmity is then perpetuated.

It is important to see the great man,

that is, an impartial man whose authority is great enough to

  • terminate the conflict amicably or
  • assure a just decision.

In times of strife, crossing the great water is to be avoided, that is,

dangerous enterprises are not to be begun,

because in order to be successful they require concerted unity of forces.

Conflict within weakens the power to conquer danger without.

THE IMAGE

Heaven and water go their opposite ways: The image of Conflict.

Thus in all his transactions the superior man

Carefully considers the beginning.

The image indicates that

the causes of conflict are latent in the opposing tendencies of the two trigram.

Once these opposing tendencies appear, conflict is inevitable.

To avoid it, therefore, everything must be taken carefully into consideration in the very beginning.

  • If rights and duties are exactly defined, or
  • if, in a group, the spiritual trends of the individuals harmonize,

the cause of conflict is removed in advance.

THE LINES

Six in the third place means:

To nourish oneself on ancient virtue induces perseverance.

Danger.

In the end, good fortune comes.

If by chance you are in the service of a king,

Seek not works.

This is a warning of the danger that goes with an expansive disposition.

Only that which has been honestly acquired through merit remains a permanent possession.

It can happen that such a possession may be contested,

but since it is really one’s own,

one cannot be robbed of it.

Whatever a man possesses through the strength of his own nature cannot be lost.

If

one enters the service of a superior,

one can avoid conflict only by not seeking works for the sake of prestige.

It is enough if the work is done: let the honor go to the other.

 

 

 

MOVING HEXAGRAM

 

 

 

HEXAGRAM 44 – Kou – Coming to Meet

Above    CH’IEN    THE CREATIVE, HEAVEN

Below    SUN    THE GENTLE, WIND

This hexagram indicates a situation in which the principle of darkness,

after having been eliminated,

furtively and unexpectedly obtrudes again from within and below.

Of its own accord the female principle comes to meet the male.

  • It is an unfavorable and dangerous situation, and
  • we must understand and promptly prevent the possible consequences.

The hexagram is linked with the fifth month [June-July],

because at the summer solstice

the principle of darkness gradually becomes ascendant again.

THE JUDGMENT

COMING TO MEET.

The maiden is powerful.

One should not marry such a maiden.

The rise of the inferior element is pictured here in the image of

a bold girl who

  • lightly surrenders herself and
  • thus seizes power.

This would not be possible if the strong and light-giving element had not in turn come halfway.

  • The inferior thing seems so harmless and inviting that
    • a man delights in it;
  • it looks so small and weak that
    • he imagines he may dally with it and come to no harm.

The inferior man rises only because the superior man

  • does not regard him as dangerous and so
  • lends him power.

If

  • he were resisted from the first,
  • he could never gain influence.

The time of COMING TO MEET is important in still another way.

Although as a general rule the weak should not come to meet the strong,

there are times when this has great significance.

  • When heaven and earth come to meet each other, all creatures prosper;
  • when a prince and his official come to meet each other, the world is put in order.

It is necessary for elements predestined to be joined and mutually dependent

to come to meet one another halfway.

But the coming together must be free of dishonest ulterior motives,

otherwise harm will result.

THE IMAGE

Under heaven, wind: The image Of COMING TO MEET.

Thus does the prince act when

  • disseminating his commands And
  • proclaiming them to the four quarters of heaven.

The situation here resembles that in hexagram 20, Kuan, CONTEMPLATION (VIEW).

  • In the latter the wind blows over the earth,
  • here it blows under heaven;

in both cases it goes everywhere.

There the wind

  • is on the earth and
  • symbolizes the ruler taking note of the conditions in his kingdom;

here the wind

  • blows from above and
  • symbolizes the influence exercised by the ruler through his commands.
  • Heaven is far from the things of earth, but
    • it sets them in motion by means of the wind.
  • The ruler is far from his people, but
    • he sets them in motion by means of his commands and decrees.


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