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HEXAGRAM 32 – Heng – Duration

Above    CHEN    THE AROUSING, THUNDER

Below    SUN    THE GENTLE, WIND

• The strong trigram Chen is above,
  
• the weak trigram Sun below.
  

This hexagram is the inverse of the preceding one.

• In the latter we have influence,
  
• here we have union as an enduring condition.
  

The two images are thunder and wind,

which are likewise constantly paired phenomena.

• The lower trigram indicates gentleness within;
  
• the upper, movement without.
  

In the sphere of social relationships,

the hexagram represents the institution of marriage

as the enduring union of the sexes.

• During courtship
  
  • the young man subordinates himself to the girl,
    
• but in marriage, which is represented by the coming together of
  

  the eldest son and the eldest daughter,
  

  • the husband is the directing and moving force outside,
    
  • while the wife, inside, is gentle and submissive.
    

THE JUDGMENT

DURATION. Success. No blame.

Perseverance furthers.

It furthers one to have somewhere to go.

Duration

• is a state whose movement is not worn down by hindrances.
  
• It is not a state of rest, for mere standstill is regression.
  

  Duration
  

• is rather the self-contained and therefore self-renewing movement of
  

  an organized, firmly integrated whole,
  

  • taking place in accordance with immutable laws and
    
  • beginning anew at every ending.
    

The end is reached by an inward movement,

by inhalation, systole, contraction, and

this movement turns into a new beginning, in which

the movement is directed outward,

in exhalation, diastole, expansion.

Heavenly bodies exemplify duration.

They move in their fixed orbits, and

because of this their light-giving power endures.

The seasons of the year

• follow a fixed law of change and transformation, hence
  
• can produce effects that endure.
  

So likewise

the dedicated man

• embodies an enduring meaning in his way of life, and thereby
  
• the world is formed.
  

In that which gives things their duration,

we can come to understand the nature of all beings

• in heaven and
  
• on earth.
  

THE IMAGE

Thunder and wind: the image of DURATION.

Thus the superior man

• stands firm And
  
• does not change his direction.
  

• Thunder rolls, and
  
• the wind blows;
  

both

• are examples of extreme mobility and so
  
• are seemingly the very opposite of duration,
  

but the laws governing their appearance and subsidence,

their coming and going, endure.

In the same way

the independence of the superior man is not based on

• rigidity and
  
• immobility of character.
  

He always

• keeps abreast of the time and
  
• changes with it.
  

What endures is

• the unswerving directive,
  
• the inner law of his being,
  

  which determines all his actions.
  

THE LINES

Six in the fifth place means:

Giving duration to one’s character through perseverance.

This is

• good fortune for a woman,
  
• misfortune for a man.
  

• A woman should follow a man her whole life long, but
  
• a man should at all times hold to what is his duty at the given moment.
  

Should he persistently seek to conform to the woman,

it would be a mistake for him.

Accordingly it is altogether right for

• a woman to hold conservatively to tradition,
  
• but a man must always
  
  • be flexible and adaptable and
    
  • allow himself to be guided solely by what his duty requires of him at the moment.
    

Six at the top means:

Restlessness as an enduring condition brings misfortune.

There are people who live in a state of perpetual hurry

without ever attaining inner composure.

Restlessness

• not only prevents all thoroughness
  
• but actually becomes a danger if it is dominant in places of authority.
  

 

 

MOVING HEXAGRAM

 

 

HEXAGRAM 44 – Kou – Coming to Meet

Above    CH’IEN    THE CREATIVE, HEAVEN

Below    SUN    THE GENTLE, WIND

This hexagram indicates a situation in which the principle of darkness,

after having been eliminated,

furtively and unexpectedly obtrudes again from within and below.

Of its own accord the female principle comes to meet the male.

• It is an unfavorable and dangerous situation, and
  
• we must understand and promptly prevent the possible consequences.
  

The hexagram is linked with the fifth month [June-July],

because at the summer solstice

the principle of darkness gradually becomes ascendant again.

THE JUDGMENT

COMING TO MEET.

The maiden is powerful.

One should not marry such a maiden.

The rise of the inferior element is pictured here in the image of

a bold girl who

• lightly surrenders herself and
  
• thus seizes power.
  

This would not be possible if the strong and light-giving element had not in turn come halfway.

• The inferior thing seems so harmless and inviting that
  
  • a man delights in it;
    
• it looks so small and weak that
  
  • he imagines he may dally with it and come to no harm.
    

The inferior man rises only because the superior man

• does not regard him as dangerous and so
  
• lends him power.
  

If

• he were resisted from the first,
  
• he could never gain influence.
  

The time of COMING TO MEET is important in still another way.

Although as a general rule the weak should not come to meet the strong,

there are times when this has great significance.

• When heaven and earth come to meet each other, all creatures prosper;
  
• when a prince and his official come to meet each other, the world is put in order.
  

It is necessary for elements predestined to be joined and mutually dependent

to come to meet one another halfway.

But the coming together must be free of dishonest ulterior motives,

otherwise harm will result.

THE IMAGE

Under heaven, wind: The image Of COMING TO MEET.

Thus does the prince act when

• disseminating his commands And
  
• proclaiming them to the four quarters of heaven.
  

The situation here resembles that in hexagram 20, Kuan, CONTEMPLATION (VIEW).

• In the latter the wind blows over the earth,
  
• here it blows under heaven;
  

in both cases it goes everywhere.

There the wind

• is on the earth and
  
• symbolizes the ruler taking note of the conditions in his kingdom;
  

here the wind

• blows from above and
  
• symbolizes the influence exercised by the ruler through his commands.
  

• Heaven is far from the things of earth, but
  
  • it sets them in motion by means of the wind.
    
• The ruler is far from his people, but
  
  • he sets them in motion by means of his commands and decrees.
    

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